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A TRIAL NO LONGER IN SECRET
Reporting ban lifted on member’s anti-war case
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‘WE DESERVE SOME OF YOUR £40 MILLION’
Express journalists prepare strike for fair pay
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TWO VICTORIES FOR FREEDOM OF INFORMATION
Political upsets followed members’ FoI work
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SIGN UP A COLLEAGUE, SAYS THE PRESIDENT
Union‘s future depends on recruitment
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LIFE ON FLAT EARTH
The man behind the book that shook journalism
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DOUBLE TROUBLE FOR BLACK YOUNGSTERS
How to break into a middle-class white job?
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ON SCREEN OR ON PAPER?
Start of debate on future of the Journalist
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WE THINK WE’VE GOT PROBLEMS?
A journalist’s week in Europe’s last dictatorship
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‘A LUDDITE AND PROUD’
Not against technology but how bosses exploit it
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Brendan joins the winning line

HOLLYWOOD screenwriters settled their strike after 100 days when the Writers Guild of America (WGA) reached a deal that grants writers “residual rights” to income from the sale of DVDs and online syndication of their work.

Shortly before the settlement the picket lines were visited by the NUJ’s own screenwriter Brendan Foley who has written and produced two movies himself. He said later: “They seem to have quite a good settlement.”

Brendan Foley, a former member of the NUJ national executive, teaches screenwriting and feature writing on the union’s professional training programme.

Writers Guild of America pickets

With Brendan Foley (left) were three members of the WGA — Doug Molitor, Shelly Goldstein and Carl Gottlieb, the writer of Jaws. His placard records the support of the Writers’ Guild of Great Britain

Picture: Glenn Camhi